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Royal Irish Academy of Music
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Thesis Author Degree Type Thesis Title
Brennan, Deirbhile MA
Exploring the attitudes and preferences of an Irish audience towards classical music and its performance
Chen, Archie DMus
An Investigation into the Interpretation and Performance of Chopin’s Etudes op. 10: A Pedagogical Guide
Cleary Annette DMus
Irish Cello Sonatas-The Process of Performance
Drumm, Imelda DMus
Operatic Heroines: Stress and the opera practitioner.
Earley, Desmond DMus
French Basso Continuo Performance Technique: a study of the arpeggiated gesture in the prélude non mesuré (c1650-c1720)
Fiorentini, Nadene Other
Between technical brilliance and musical substance: Robert Schumann's Piano concerto in A minor, op 54 (1845)
Flanagan, Orla DMus
Music, Text and Context in Felix Mendelssohn's Choral Works for Berlin Cathedral
Foccroulle, Marie-Charline DMus
Final Thoughts: The Last Three Piano Sonatas of Beethoven and Schubert
Gilhooly, Owen DMus
The Vocal Music of Thomas Roseingrave
Lopez Lopez, Pedro DMus
Performance Practice at Teatro de los Caños del Peral (1786-1810): A study of Italian Opera in Madrid in the Age of Enlightenment
Marshall, Thomas Charles Other
The music theory of Satsuma biwa as taught by Yoshinori Fumon
Moynihan, Fionnuala DMus
Considerations for a Modern Performance of John Field’s Piano Sonata op.1 no.1 in E flat major
O Brien, Sylvia DMus
The Irish Art Song: An exploration of the genre focusing on the works of Seóirse Bodley
Papadimitriou, Dimitri DMus
An Exploration of Beethoven's Choice of Key in his Piano Sonatas
Ring, Gavan DMus
Reimagining the Nation: Operatic Expressions of Irish Society and Culture 1777-1923
The Schola Cantorum at St Finian's College: a historical account and an examination of its impact on church music in Ireland from 1970-2010
Tang, Yue MA
Three milestones: an examination of unaccompanied cello compositions by Johann Sebastian Bach, Zoltán Kodály and Gasper Cassadó and their contribution to solo cello repertory

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