| Royal Irish Academy of Music |
|
12 User(s): |
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| Thesis Author |
Degree Type |
Thesis Title |
| Chen, Archie |
DMus
|
An Investigation into the Interpretation and Performance of Chopin’s Etudes op. 10: A Pedagogical Guide
|
| Cleary Annette |
DMus
|
Irish Cello Sonatas-The Process of Performance
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| Drumm, Imelda |
DMus
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Operatic Heroines: Stress and the opera practitioner.
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| Earley, Desmond |
DMus
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French Basso Continuo Performance Technique: a study of the arpeggiated gesture in the prélude non mesuré (c1650-c1720)
|
| Fiorentini, Nadene |
Other
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Between technical brilliance and musical substance: Robert Schumann's Piano concerto in A minor, op 54 (1845)
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| Flanagan, Orla |
DMus
|
Music, Text and Context in Felix Mendelssohn's Choral Works for Berlin Cathedral
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| Foccroulle, Marie-Charline |
DMus
|
Final Thoughts: The Last Three Piano Sonatas of Beethoven and Schubert
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| Marshall, Thomas Charles |
Other
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The music theory of Satsuma biwa as taught by Yoshinori Fumon
|
| Moynihan, Fionnuala |
DMus
|
Considerations for a Modern Performance of John Field’s Piano Sonata op.1 no.1 in E flat major
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| Papadimitriou, Dimitri |
DMus
|
An Exploration of Beethoven's Choice of Key in his Piano Sonatas
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| Ring, Gavan |
DMus
MA |
Reimagining the Nation: Operatic Expressions of Irish Society and Culture 1777-1923
The Schola Cantorum at St Finian's College: a historical account and an examination of its impact on church music in Ireland from 1970-2010 |
| Tang, Yue |
MA
|
Three milestones: an examination of unaccompanied cello compositions by Johann Sebastian Bach, Zoltán Kodály and Gasper Cassadó and their contribution to solo cello repertory
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Royal Irish Academy of Music 