| Trinity College, Dublin |
|
13 User(s): |
|
|
| Thesis Author |
Degree Type |
Thesis Title |
| Blunnie, Róisín |
PhD
MA |
The Early Choral Works of Edward Elgar and Late-Nineteenth-Century British Idealism
Active Music-Making and Experience-Based Learning: Recommendations for Second-Level Music Education in Ireland based on Hungarian Practice |
| Boydell, Barra |
PhD
|
Renaissance Windcap Instruments
|
| Doherty, Seán |
PhD
|
Solfaing: The Evolution of Four-Syllable Solmization
|
| Farrell, Laura |
MLitt
|
Modal practice in the early 17th century with special attention to the music of Heinrich Schutz
|
| Fritz, Rebekka |
PhD
|
"Worte klingen, Tone sprechen"? Text and music in German operas of the 1920s
|
| Grimes, Nicole |
PhD
|
Brahms's Critics: Continuity and Discontinuity in the Critical Reception of Johannes Brahms
|
| Hennigan, Keith |
PhD
|
Interactive Musical Release Formats
|
| Hodgers, Jonathan |
PhD
|
'I can tell you fancy, I can tell you plain': Bob Dylan and the Cinematic Image
|
| Hood, Alison Margaret |
PhD
|
Chopin's Strategic Integration of Rhythm and Pitch: A Schenkerian Perspective
|
| Houston, Kerry |
PhD
|
The Eighteenth-Century Music Manuscripts at St Patrick's Cathedral, Dublin: Sources, Lineage and Relationship to other collections
|
| Jackson, George |
BA
|
Wagner Performance in the Twentieth Century: A Study of Tempo and ‘Expressive Gesture’ in Two Excerpts from Die Walküre
|
| Masin, Gwendolyn |
PhD
|
Violin Teaching in the New Millennium, In Search of the Lost Instructions of Great Masters — An Examination of Similarities and Differences Between Schools of Playing and How These Have Evolved — or — Remembering the Future of Violin Performance
|
| Power, Sharon Stephanie |
MLitt
|
An instrument of psychological warfare and a source of solace; music in the films of Leni Riefenstahl
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Trinity College, Dublin 