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274 User(s): |
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| Thesis Author |
Degree Type |
Thesis Title |
| Andrade, Alexandre |
MA
|
The development of the flute and its music in Portugal during the 18th century
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| Baker, Antoinette |
MA
|
The eleven choral preludes of Johannes Brahms: an analytical survey
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| Barrett, Noel |
MA
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Brian Boydell (1917-2000): The String Quartets, A Critical Edition and Study
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| Bourke, Alison N. |
MA
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Where is my Music History?: The Absence of Female Composers from University Curricula and the Possible Effects on Potential Female Composers
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| Bowe, Patrice |
MA
|
An analysis of Frank Corcoran's 'Trauerfelder'
|
| Boydell, Barra |
PhD
|
Renaissance Windcap Instruments
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| Brady, Ciaran |
MA
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Johannes Brahms: ein Deutsches Requiem. An analytical survey
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| Brady, Sue |
MA
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The Songs of Sir John Andrew Stevenson
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| Brazil, William |
MA
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Popular music - a primary factor in cultural/national identity
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| Breen, Maria |
MA
|
Dublin music traders and teachers, 1850-1875
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| Brennan, Shane |
MA
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An oratorio at the court of Charles VI in Vienna (1714): ‘L’umilta coronata’ by Antonio Lotti
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| Brogan, Eileen |
MA
|
The solo piano music of Philip Martin: an assessment of his teaching and concert repertory
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| Brown, Melanie |
PhD
|
Jewish Liturgical Music in Dublin
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| Buckley, Angela |
MA
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A Critical Edition of The Irish Music Manuscripts of Philip Carolan (c1839-1910)
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| Burgess, Frances |
MA
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Music of continuous and coherent change : musical structure and poetry in Elliott Carter's 'In sleep, in thunder'
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| Campbell, Gerard |
MA
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Contempory west coast american music 1955-1975
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| Carroll, Eimear |
MA
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The sacred choral commissions of the Cork Annual Seminar on Contemporary Choral Music: tradition and modernity
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| Carty, Phil |
MA
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Olivier Messiaen: 'Vingt regards sur l'Enfant-Jesus'. Their inspiration and representations
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| Clarke, Úna-Frances |
PhD
|
The development of symphonic sonata form from Mahler to Shostakovich
|
| Cleary Annette |
DMus
|
Irish Cello Sonatas-The Process of Performance
|
| Clinch, Cathal |
MA
|
Stanford's 'Magnificat' and 'Nunc Dimittis' in E flat: A performing edition
|
| Collins, Paul |
PhD
MA |
The stylus phantasticus and its expression in free keyboard music of the north German baroque
The application of a concept of the 'stylus phantasticus' in the praeludia of Dietrich Buxtehude |
| Comiskey, Marie |
MA
|
The Evolution of the Piccolo as an Orchestral Instrument
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| Commins, Adčle |
PhD
|
Stanford's Piano Music: A Retrospective
|
| Connolly, Aisling |
MA
|
The contribution of Dr Joseph Groocock to music education in Ireland (1935-1997)
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| Connolly, David |
PhD
MA |
Development of Large-Scale Plainchant Composition in France after 1850
Charles Tournemire and L'Orgue Mystique - A Study |
| Conway, Eoin |
MLitt
|
Analysis of the music of John Adams
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| Corbet, Nicola |
MA
|
The solo harp music of Brian Boydell
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| Costello, Emma |
MA
|
Paradigms of Irish music history
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| Coughlan, Orla |
MA
|
Portfolio of original compositions
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