Found: 394 thesis records, listed in most-recent order. Click on a thesis's title to display full details.
Gráinne
Kyne, The treatment of popular Irish music in eighteenth century Dublin (MA, NUI Maynooth, 2003). Thesis submission ID 686, last updatedNuala
Kavanagh, The development of the Dublin music print trade: 1686-c1800 (MA, NUI Maynooth, 2003). Thesis submission ID 685, last updatedStephen
Mullen, Creating new musical works by Markov analysing existing styles of music and applying this to various forms (MA, NUI Maynooth, 2004). Thesis submission ID 684, last updatedAonghus
Lynch, The random music generator (MA, NUI Maynooth, 2004). Thesis submission ID 683, last updatedClare
Wilson, Debussy the symbolist: A semiotic perspective (MA, NUI Maynooth, 2005). Thesis submission ID 682, last updatedBernie
Sherlock, A history of conducting with a critique of literature on the development of the fundamentals of conducting technique (MA, NUI Maynooth, 2005). Thesis submission ID 681, last updatedSimon
Schampijer, Real-time audio visualisation in Csound5: Opcodes for time- and frequency-domain representations (MA, NUI Maynooth, 2005). Thesis submission ID 680, last updatedJohn
Ringwood, Algorithmic Irish music composition using deterministic and stochastic methods (MA, NUI Maynooth, 2005). Thesis submission ID 679, last updatedAlison
Reynolds, The development of technology and contribution of psychoacoustics to enchance sound design and distribution in film (MA, NUI Maynooth, 2005). Thesis submission ID 678, last updatedFrank
Quinn, An implementation of a real-time audio preview for the Audio Instrument Development Environment (AIDE) (MA, NUI Maynooth, 2005). Thesis submission ID 677, last updatedLena
Peterseil, An overview of the underlying theories of the perception of sound (MA, NUI Maynooth, 2005). Thesis submission ID 676, last updatedEmma
O’Reilly, The contrasting reactions of Chopin and Liszt to the Romantic era, with focus on their etudes (MA, NUI Maynooth, 2005). Thesis submission ID 675, last updatedCian
O’Flanagan, Automatic pitch recognition: A discussion and software implementation (MA, NUI Maynooth, 2005). Thesis submission ID 674, last updatedFearghus
Fallon, The classical singing voice: A study of the unseen instrument (MA, NUI Maynooth, 2005). Thesis submission ID 672, last updatedColm
Duffy, An overview of spatial sound reproduction techniques (MA, NUI Maynooth, 2005). Thesis submission ID 671, last updatedColette Anne
Cronin, A perspective on independently releasing music (MA, NUI Maynooth, 2005). Thesis submission ID 669, last updatedLeslie
Cassidy, Django Reinhardt (1910-1953): Gypsy in a jazz world (MA, NUI Maynooth, 2005). Thesis submission ID 668, last updatedCathy
Burke, Louis Andriessen: De Staat (MA, NUI Maynooth, 2005). Thesis submission ID 667, last updatedSarah
Tumbleton, Late swing to early bebop: A study in continuity (MA, NUI Maynooth, 2006). Thesis submission ID 666, last updatedAnna
O’Leary, The symphonies of Michael Tippett: A study of structure and style (MA, NUI Maynooth, 2006). Thesis submission ID 665, last updatedTracy
O’Donnell, The piano compositions of Lowell Liebermann (MA, NUI Maynooth, 2006). Thesis submission ID 664, last updatedEimear M.
O’Brien, Music and mathematics: Pétrouchka and Agon; A mathematical commentary (MA, NUI Maynooth, 2006). Thesis submission ID 663, last updatedSuzanne
Mahon, Maria Szymanowska: Lodestar to women in music (MA, NUI Maynooth, 2006). Thesis submission ID 661, last updatedJames
Mac Cafferty, A history of the band of An Garda Síochána (MA, NUI Maynooth, 2006). Thesis submission ID 660, last updated