Found: 394 thesis records, listed in most-recent order. Click on a thesis's title to display full details.

Gráinne Kyne, The treatment of popular Irish music in eighteenth century Dublin (MA, NUI Maynooth, 2003).  Thesis submission ID 686, last updated
 

Nuala Kavanagh, The development of the Dublin music print trade: 1686-c1800 (MA, NUI Maynooth, 2003).  Thesis submission ID 685, last updated
 

Stephen Mullen, Creating new musical works by Markov analysing existing styles of music and applying this to various forms (MA, NUI Maynooth, 2004).  Thesis submission ID 684, last updated
 

Aonghus Lynch, The random music generator (MA, NUI Maynooth, 2004).  Thesis submission ID 683, last updated
 

Clare Wilson, Debussy the symbolist: A semiotic perspective (MA, NUI Maynooth, 2005).  Thesis submission ID 682, last updated
 

Bernie Sherlock, A history of conducting with a critique of literature on the development of the fundamentals of conducting technique (MA, NUI Maynooth, 2005).  Thesis submission ID 681, last updated
 

Simon Schampijer, Real-time audio visualisation in Csound5: Opcodes for time- and frequency-domain representations (MA, NUI Maynooth, 2005).  Thesis submission ID 680, last updated
 

John Ringwood, Algorithmic Irish music composition using deterministic and stochastic methods (MA, NUI Maynooth, 2005).  Thesis submission ID 679, last updated
 

Alison Reynolds, The development of technology and contribution of psychoacoustics to enchance sound design and distribution in film (MA, NUI Maynooth, 2005).  Thesis submission ID 678, last updated
 

Frank Quinn, An implementation of a real-time audio preview for the Audio Instrument Development Environment (AIDE) (MA, NUI Maynooth, 2005).  Thesis submission ID 677, last updated
 

Lena Peterseil, An overview of the underlying theories of the perception of sound (MA, NUI Maynooth, 2005).  Thesis submission ID 676, last updated
 

Emma O’Reilly, The contrasting reactions of Chopin and Liszt to the Romantic era, with focus on their etudes (MA, NUI Maynooth, 2005).  Thesis submission ID 675, last updated
 

Cian O’Flanagan, Automatic pitch recognition: A discussion and software implementation (MA, NUI Maynooth, 2005).  Thesis submission ID 674, last updated
 

Ruth Kennington, Final Project (MA, NUI Maynooth, 2005).  Thesis submission ID 673, last updated
 

Fearghus Fallon, The classical singing voice: A study of the unseen instrument (MA, NUI Maynooth, 2005).  Thesis submission ID 672, last updated
 

Colm Duffy, An overview of spatial sound reproduction techniques (MA, NUI Maynooth, 2005).  Thesis submission ID 671, last updated
 

Colette Anne Cronin, A perspective on independently releasing music (MA, NUI Maynooth, 2005).  Thesis submission ID 669, last updated
 

Leslie Cassidy, Django Reinhardt (1910-1953): Gypsy in a jazz world (MA, NUI Maynooth, 2005).  Thesis submission ID 668, last updated
 

Cathy Burke, Louis Andriessen: De Staat (MA, NUI Maynooth, 2005).  Thesis submission ID 667, last updated
 

Sarah Tumbleton, Late swing to early bebop: A study in continuity (MA, NUI Maynooth, 2006).  Thesis submission ID 666, last updated
 

Anna O’Leary, The symphonies of Michael Tippett: A study of structure and style (MA, NUI Maynooth, 2006).  Thesis submission ID 665, last updated
 

Tracy O’Donnell, The piano compositions of Lowell Liebermann (MA, NUI Maynooth, 2006).  Thesis submission ID 664, last updated
 

Eimear M. O’Brien, Music and mathematics: Pétrouchka and Agon; A mathematical commentary (MA, NUI Maynooth, 2006).  Thesis submission ID 663, last updated
 

Suzanne Mahon, Maria Szymanowska: Lodestar to women in music (MA, NUI Maynooth, 2006).  Thesis submission ID 661, last updated
 

James Mac Cafferty, A history of the band of An Garda Síochána (MA, NUI Maynooth, 2006).  Thesis submission ID 660, last updated