Found: 188 thesis records, listed in most-recent order. Click on a thesis's title to display full details.

Damian A. Frame, The Harmoniemusik of Georg Druschetzky (1745-1819) (PhD, Queen’s University Belfast, 1992).  Thesis submission ID 161, last updated
 

Tegan Sutherland, 'Fashionable Ornaments': The Reception of Virtuosity in Eighteenth-Century Anglophone Culture (PhD, University College Dublin, 2025).  Thesis submission ID 977, last updated
 

Hui Han Lui, Reimagining nineteenth-century piano techniques from a twenty-first-century perspective (PhD, Maynooth University, 2025).  Thesis submission ID 975, last updated
 

Peter Shannon, Franz Schubert: A pathway to explore illness and healing in the final symphonies - a conductor's perspective (PhD, Maynooth University, 2025).  Thesis submission ID 974, last updated
 

Mary Patricia Byrne, Harry Hardy and the Royal Irish Constabulary Band: A Musical Accompaniment to Ireland's Mid-Victorian Middle-Class Leisure Culture (1861-1872) (PhD, Maynooth University, 2022).  Thesis submission ID 973, last updated
 

Darragh Gilleece, Schubert's Piano Works for Four Hands: Performative and Pedagogical Insights into a Selection of Schubert's Piano Duets (PhD, Maynooth University, 2025).  Thesis submission ID 972, last updated
 

Gemma O'Herlihy, An autoethnographic account of a piano teacher's professional growth in the piano lab: Improving beginner pianists' musicianship by teaching them to play by ear (PhD, University College London (UCL), 2023).  Thesis submission ID 970, last updated
 

Conor Power, Composing America: Patriotism, Mythology, and Piety in the Film Scores of John Williams (PhD, Maynooth University, 2024).  Thesis submission ID 969, last updated
 

John O’Flynn, Perceptions of Irishness in Irish music: A sociological study of national identity and music (PhD, University of London, 2004).  Thesis submission ID 374, last updated
 

Lauren Farquharson, The British College of Accordionists promotion of the accordion in 20th-century Britain (PhD, Dundalk Institute of Technology, in progress).  Thesis submission ID 929, last updated
 

Áine Mulvey, Song Literature in Ireland: The Influence of the Irish Cultural Revival (1891-1922) (PhD, Dublin City University, 2022).  Thesis submission ID 895, last updated
 

Roslyn Steer, Beyond Boundaries: The Aesthetics of the Scream in the Music of the Second Viennese School (PhD, Maynooth University, 2022).  Thesis submission ID 944, last updated
 

Clare Wilson, Reimagining the Mélodie: An Analysis of the Musico-poetic Expression of André Caplet (PhD, University of Ulster, 2018).  Thesis submission ID 941, last updated
 

Kevin Boushel, Towards the New Transcendental: Stylistic Trends in A Cappella Choral Music in the United States (PhD, Dublin City University, in progress).  Thesis submission ID 939, last updated
 

Bryan A. Whitelaw, Franz Liszt's Sonata Narratives: Large-Scale Forms at the Weimar Court (PhD, Queen’s University Belfast, 2021).  Thesis submission ID 937, last updated
 

Cathal Twomey, 'To Catch the Song': Word-Setting, Creative Collaboration, and the Reader-Listener in Handel's English-Language Works (PhD, Maynooth University, 2021).  Thesis submission ID 936, last updated
 

Karishmeh Felfeli-Crawford, Music Analysis: Erasure (1985-2020) and Beyond (PhD, University College Cork, 2021).  Thesis submission ID 904, last updated
 

David Michael O'Shea, The Choral Foundation of the Chapel Royal, Dublin Castle, 1814–1922 (PhD, Trinity College Dublin, 2019).  Thesis submission ID 935, last updated
 

Cathal Mullan, Poetry Into Song: Word-Music Relations in Settings of Goethe's Faust by Wagner and his Contemporaries (1832-1840) (PhD, Maynooth University, 2018).  Thesis submission ID 914, last updated
 

Hannah Millington, Sacred, Secular, and Suffragist: Reclaiming Ethel Smyth's Vocal Works for the Twenty-First Century (PhD, Dublin City University, in progress).  Thesis submission ID 906, last updated
 

Emma Scanlon, Pianism Reimagined: an analytical inquiry of left-hand piano through the career and commissions of Paul Wittgenstein (PhD, Maynooth University, 2018).  Thesis submission ID 903, last updated
 

Shane Byrne, Portfolio of Electroacoustic Compositions with Commentaries (PhD, Maynooth University, 2018).  Thesis submission ID 902, last updated
 

Ciaran Kennedy, 'A desert for the arts'? Orchestral provision in Northern Ireland, 1945-1981 (PhD, Queen’s University Belfast, 2014).  Thesis submission ID 413, last updated
 

Brian Connolly, Playing the Ear: Non-Linearities of the Inner Ear and their Creative Potential (PhD, Maynooth University, 2016).  Thesis submission ID 901, last updated
 

Deirdre Ní Chonghaile, ‘ag teacht le cuan’: Irish traditional music and the Aran Islands (PhD, University College Cork, 2011).  Thesis submission ID 133, last updated