Found: 188 thesis records, listed in most-recent order. Click on a thesis's title to display full details.

David Thomas Cotter, Collaborative Creativity in Classical Guitar Performance: ‘Reassessing the Role of Accompanist’ (PhD, University of Cambridge, in progress).  Thesis submission ID 896, last updated
 

Michael Lee, “Il vero di tante meraviglie”: Tasso’s Armida and the power of fantasy in late seventeenth-century opera (PhD, Queen’s University Belfast, 2013).  Thesis submission ID 373, last updated
 

Mel Mercier, The Mescher bones playing tradition : syncopations on the American landscape (PhD, University of Limerick, 2011).  Thesis submission ID 893, last updated
 

Eamon O Doherty, Measuring Expressive Music Performances: a Performance Science Model using Symbolic Approximation (PhD, Dublin Institute of Technology, 2019).  Thesis submission ID 890, last updated
 

Gwendolyn Masin, Violin Teaching in the New Millennium, In Search of the Lost Instructions of Great Masters — An Examination of Similarities and Differences Between Schools of Playing and How These Have Evolved — or — Remembering the Future of Violin Performance (PhD, Trinity College Dublin, 2011).  Thesis submission ID 422, last updated
 

Anja Bunzel, Johanna Kinkel's Lieder Compositions as a Socio-Political and Cultural Mirror of Her Time: A Reflective Interpretation (PhD, NUI Maynooth, 2016).  Thesis submission ID 763, last updated
 

Robin Renwick, Topologies for Network Music (PhD, Queen’s University Belfast, 2017).  Thesis submission ID 885, last updated
 

Karol Mullaney-Dignam, State, nation and music in independent Ireland, 1922-51 (PhD, NUI Maynooth, 2008).  Thesis submission ID 376, last updated
 

Sean Mc Elwain, Opening up the canon of Irish Traditional music - documentation and analysis of the music, style, repertoire of the Sliabh Beagh region of North Monaghan/East Fermanagh (PhD, Dundalk Institute of Technology, in progress).  Thesis submission ID 421, last updated
 

David Connolly, Development of Large-Scale Plainchant Composition in France after 1850 (PhD, Dublin Institute of Technology, in progress).  Thesis submission ID 313, last updated
 

Donncha Sean O Maidin, A programmer's environment for music analysis (PhD, University College Cork, 1995).  Thesis submission ID 180, last updated
 

Aileen Dillane, Sound tracts, songlines, and soft repertoire: Irish music performance and the city of Chicago (PhD, University of Chicago, 2009).  Thesis submission ID 823, last updated
 

Alison Ledger, Am I a founder or am I a fraud? Music therapists’ experiences of developing services in healthcare organizations (PhD, University of Limerick, 2010).  Thesis submission ID 94, last updated
 

Eileen Hogan, Music-making and Well-being: Identity, place and cultural policy (PhD, University of Liverpool, 2015).  Thesis submission ID 798, last updated
 

Damian Evans, The Creation of Meaning and Identity in the Dublin Jazz Scene, Past and Present (PhD, Dublin Institute of Technology, 2016).  Thesis submission ID 796, last updated
 

Steven Yi, Extensible Computer Music Systems (PhD, NUI Maynooth, 2016).  Thesis submission ID 792, last updated
 

John Brendan McCloskey, inGrid: A new tactile, tangible and accessible digital musical instrument for enhanced creative independence amongst musicians with quadriplegic cerebral palsy (PhD, University of Ulster, 2014).  Thesis submission ID 789, last updated
 

Francis Ward, Processes of Transmission in Irish Traditional Music: Apporaching a Virtual Orality (PhD, University of Limerick, 2016).  Thesis submission ID 787, last updated
 

Aine Mangaoang, Dangerous Mediations: YouTube, Pop Music and Power in a Philippine Prison Video (PhD, University of Liverpool, 2014).  Thesis submission ID 784, last updated
 

Gwen Moore, Ideology, Musical Value and Unequal Opportunity: Backgrounds, Assumptions and Experiences of Students and Lecturers in Irish Higher Education (PhD, University of London, 2013).  Thesis submission ID 783, last updated
 

Angela Horgan Goff, Cultural Constructs of National Identity in Irish Saga-Inspired Musical Composition (PhD, Waterford Institute of Technology, 2014).  Thesis submission ID 766, last updated
 

Declan Plummer, 'Music based on worth': The conducting career of Sir Hamilton Harty (PhD, Queen’s University Belfast, 2011).  Thesis submission ID 765, last updated
 

Geraldine Cotter, Institutional and Social Teaching, Learning and Performing of Irish Traditional Music in Ennis, County Clare 1961-1980 (PhD, University of Limerick, 2014).  Thesis submission ID 761, last updated
 

Jonathan Doherty, Song form intelligence for repairing streaming music across wireless bursty networks (PhD, University of Ulster, 2010).  Thesis submission ID 758, last updated
 

Julie Patricia Sutton, "The invisible handshake": An investigation of free musical improvisation as a form of conversation (PhD, University of Ulster, 2001).  Thesis submission ID 757, last updated