Found: 188 thesis records, listed in most-recent order. Click on a thesis's title to display full details.

Paul Maguire, Conditions of possibility: Changes in popular music culture and the development of Country & Irish music (PhD, University of Ulster, 2012).  Thesis submission ID 755, last updated
 

Richard Graham, Expansion of electronic guitar performance practice through the application and development of interactive digital music systems (PhD, University of Ulster, 2012).  Thesis submission ID 754, last updated
 

Mark McKnight, Contemporary jazz guitar performance: perspectives on the development of improvisational language (PhD, University of Ulster, 2012).  Thesis submission ID 753, last updated
 

Christopher Norby, Maintaining pleasure in composition; personal and philosophical issues affecting my work as a composer (PhD, University of Ulster, 2011).  Thesis submission ID 752, last updated
 

Patrick J. McCormack, Portfolio of Original Works (PhD, Waterford Institute of Technology, 2007).  Thesis submission ID 742, last updated
 

Teresa O’Donnell, The Music Association of Ireland: A Cultural and Social History (PhD, St Patrick’s College, Dublin City University, 2012).  Thesis submission ID 725, last updated
 

D. G. Scanlon, The compositional legacy (PhD, Waterford Institute of Technology, 2013).  Thesis submission ID 719, last updated
 

David Jo Murphy, Hate couture: Subcultural fundamentalism and the Serbian black metal music scene (PhD, NUI Maynooth, 2011).  Thesis submission ID 648, last updated
 

Piaras Hoban, Portfolio of compositions with commentaries (PhD, NUI Maynooth, 2011).  Thesis submission ID 647, last updated
 

Eoin Smith, Portfolio of compositions with commentaries (PhD, NUI Maynooth, 2012).  Thesis submission ID 646, last updated
 

John Glover, Sinusoids, noise and transients : Spectral analysis, feature detection and real-time transformations of audio signals for musical applications (PhD, NUI Maynooth, 2012).  Thesis submission ID 644, last updated
 

Brian Bridges, Towards a perceptually-grounded theory of microtonality: Issues in sonority, scale construction and auditory perception and cognition (PhD, NUI Maynooth, 2012).  Thesis submission ID 643, last updated
 

Helen O’Shea, Foreign bodies in the river of sound: Seeking identity and Irish traditional music (PhD, Victoria University, Melbourne, 2005).  Thesis submission ID 619, last updated
 

Fintan Vallely, Flute routes to 21st century Ireland: The history, aesthetics and social dynamics of three centuries of recreational and political music (PhD, University College Dublin, 2004).  Thesis submission ID 618, last updated
 

James O’Brien Moran, Paddy Conneely - the Galway piper: The legacy of a pre-famine folk musician (PhD, University of Limerick, 2006).  Thesis submission ID 617, last updated
 

Deborah L. Rapuano, Every drop hollows the stone : An ethnographic study of traditional Irish music pub sessions (PhD, Loyola University Chicago, 2005).  Thesis submission ID 615, last updated
 

John Moulden, The printed ballad in Ireland: A guide to the popular printing of songs in Ireland 1760–1920 (PhD, NUI Galway, 2006).  Thesis submission ID 614, last updated
 

Jerry Kerlin, The transmission of song among the New York Irish: Teaching, learning, and Irish sensibility (PhD, New York University, 2005).  Thesis submission ID 613, last updated
 

Michael D. Nicholsen, ‘Auld sod’ and new turf: Entertainment, nationalism, and identity in the Irish traditional music community of Chicago, 1868–1999 (PhD, Loyola University Chicago, 2007).  Thesis submission ID 611, last updated
 

Scott Spencer, The piper calls the tune: How uilleann bagpipers averted obsolescence through technology, networks and community (PhD, New York University, 2010).  Thesis submission ID 603, last updated
 

Roxanne O’Connell, The golden age of Irish music: The cultural impact of 78 rpm recordings in Ireland and Irish America 1900–1960 (PhD, Salve Regina University, Newport, Rhode Island, 2010).  Thesis submission ID 602, last updated
 

Tes Slominski, Music, gender, and the public sphere in twentieth-century Ireland (PhD, New York University, 2010).  Thesis submission ID 599, last updated
 

Doris Maul Fair, Billy's box: Material culture, musical idiom, and musicianship in Irish button accordion (PhD, Other, 2009).  Thesis submission ID 598, last updated
 

Máire Ní Chaoimh, Journey into tradition: A social history of the Irish button accordion (PhD, University of Limerick, 2010).  Thesis submission ID 596, last updated
 

Sandra Joyce, Transforming Carolan (PhD, University of Limerick, 2012).  Thesis submission ID 594, last updated