Found: 188 thesis records, listed in most-recent order. Click on a thesis's title to display full details.

Eoghan Neff, At the vanguard of antiquity: Seeking the avant-garde of the Irish fiddle in C20th performance practices (PhD, Other, 2012).  Thesis submission ID 590, last updated
 

Jane Charles, Playing technique and violin timbre: Detecting bad playing (PhD, Dublin Institute of Technology, 2010).  Thesis submission ID 585, last updated
 

Alan O Cinneide, Phase-distortion-robust-voice-source analysis (PhD, Dublin Institute of Technology, 2012).  Thesis submission ID 584, last updated
 

Gary Sinclair, Spaces, emotion and heavy metal subcultural control: music consumption and civilising processes (PhD, Dublin Institute of Technology, 2013).  Thesis submission ID 583, last updated
 

David Dorran, Audio time-scale modification (PhD, Dublin Institute of Technology, 2005).  Thesis submission ID 582, last updated
 

Ruth Stanley, A formative force: the BBC’s role in the development of music and its audiences in Northern Ireland, 1924-39 (PhD, Queen’s University Belfast, 2011).  Thesis submission ID 449, last updated
 

Geraldine Nolan Spada, A portfolio of original compositions for symphony orchestra and chamber group & thesis: 'Compositional Philosophy and the Musical Idea' (PhD, University College Dublin, 2008).  Thesis submission ID 447, last updated
 

Majella Boland, John Field in Context: a Reappraisal of the Nocturne and Piano Concerti (PhD, University College Dublin, 2013).  Thesis submission ID 444, last updated
 

A. Paul McKeever, Aspects of Organ-Building in Ireland in the Nineteenth Century, referencing White, Telford, and Post-Emancipation Choral Practice (PhD, University of Limerick, 2012).  Thesis submission ID 443, last updated
 

Emily Cullen, Meanings and Cultural Functions of the Irish Harp as Trope, Icon and Instrument: The Construction of an Irish Self-Image (PhD, NUI Galway, 2008).  Thesis submission ID 441, last updated
 

Cormac Crawley, Portfolio of Soundscape and Installation Based Music (PhD, Queen’s University Belfast, in progress).  Thesis submission ID 440, last updated
 

Jonathan Hodgers, 'I can tell you fancy, I can tell you plain': Bob Dylan and the Cinematic Image (PhD, Trinity College Dublin, in progress).  Thesis submission ID 436, last updated
 

Keith Hennigan, Interactive Musical Release Formats (PhD, Trinity College Dublin, in progress).  Thesis submission ID 420, last updated
 

Róisín Blunnie, The Early Choral Works of Edward Elgar (1857-1934) in the Context of Late-Victorian British Idealism (PhD, Trinity College Dublin, 2013).  Thesis submission ID 419, last updated
 

Seán Doherty, Solfaing: The Evolution of Four-Syllable Solmization (PhD, Trinity College Dublin, in progress).  Thesis submission ID 417, last updated
 

Susan McCormick, Johann Christian Kittel and the Long Overlooked Multiple Bass Chorale Tradition (PhD, Queen’s University Belfast, in progress).  Thesis submission ID 416, last updated
 

Rachel McQueen, G.F. Handel and Charles Jennens: The Collaboration (PhD, Queen’s University Belfast, in progress).  Thesis submission ID 415, last updated
 

Patricia Clark, The effect of multi-instrumentalism on the formation of variations in Irish traditional music (PhD, Queen’s University Belfast, in progress).  Thesis submission ID 414, last updated
 

Kate Guelke, Postcolonial Stagings of Opera (PhD, Queen’s University Belfast, in progress).  Thesis submission ID 410, last updated
 

Conor Caldwell, The Dance Music of John Doherty (PhD, Queen’s University Belfast, in progress).  Thesis submission ID 409, last updated
 

Dave Flynn, Traditional Irish Music: A Path to New Music (PhD, Dublin Institute of Technology, 2010).  Thesis submission ID 408, last updated
 

David Kearney, Towards a regional understanding of Irish traditional music (PhD, University College Cork, 2010).  Thesis submission ID 407, last updated
 

Charlie Cullen, The Sonic Representation of Mathematical Data (PhD, Dublin Institute of Technology, 2006).  Thesis submission ID 393, last updated
 

Eri Hirabayashi, The goddess dances beyond time: an exploration of continuity through change in contemporary Japanese ritual, with specific reference to the miko mai shinji (PhD, University of Limerick, 2010).  Thesis submission ID 391, last updated
 

Derry Fitzgerald, Automatic Drum Transcription and Source Separation (PhD, Dublin Institute of Technology, 2004).  Thesis submission ID 390, last updated