Found: 188 thesis records, listed in most-recent order. Click on a thesis's title to display full details.

Peter J D Scott, Ottaviano Petrucci’s Lamentationum liber primus and liber secundus (1506/1 and 1506/2); a bibliographical, contextual and analytical study (PhD, Durham University, 2005).  Thesis submission ID 827, last updated
 

Eamon Sweeney, The guitar and its role as an accompanying instrument in seventeenth- and early eighteenth-century France (PhD, Dublin Institute of Technology, 2006).  Thesis submission ID 315, last updated
 

Johanne Heraty, The Microtonal Music of Ezra Sims (PhD, University College Dublin, in progress).  Thesis submission ID 826, last updated
 

Kerry Houston, The Eighteenth-Century Music Manuscripts at St Patrick's Cathedral, Dublin: Sources, Lineage and Relationship to other collections (PhD, Trinity College Dublin, 2002).  Thesis submission ID 312, last updated
 

Jonathan R. J. Drennan, The masses of Giovanni Rovetta : in two volumes (PhD, University of Ulster, 2002).  Thesis submission ID 308, last updated
 

Liam Gorry, Handel and his Accompanied Recitatives (PhD, Queen’s University Belfast, 2012).  Thesis submission ID 299, last updated
 

William Halpin, The Wind Band in Mozart's Operas (PhD, University of Connecticut, 2007).  Thesis submission ID 298, last updated
 

John J. Feeley, Classical Guitar Music by Irish Composers: Performing Editions and Critical Commentary (PhD, NUI Maynooth, 2006).  Thesis submission ID 297, last updated
 

Frank Lawrence, An Irish Gradual of the Twelfth Century - Oxford, Bodleian Library, MS. Rawl. C. 892: A Palaeographical, Liturgical and Repertorial Study (PhD, University College Dublin, in progress).  Thesis submission ID 296, last updated
 

Gareth Cox, Die Sätze für Soloklavier aus der Studienzeit Anton Weberns (PhD, Albert-Ludwigs Universität, Freiburg im Breisgau, 1991).  Thesis submission ID 293, last updated
 

Fiona Michele Palmer, Domenico Dragonetti in England (1794-1846); the Career of a Double Bass Virtuoso (PhD, University of Birmingham, 1993).  Thesis submission ID 292, last updated
 

Barbara Marie Strahan, Schubert's Piano Duets: The Emergence of a Marginal Genre (PhD, NUI Maynooth, in progress).  Thesis submission ID 290, last updated
 

Elaine Marie Sherwin, An Edition of the Cathedral Works of Sir John Andrew Stevenson (PhD, NUI Maynooth, 2012).  Thesis submission ID 289, last updated
 

Adèle Commins, Charles Villiers Stanford’s Preludes for Piano op.163 and op.179: A Musicological Retrospective (PhD, NUI Maynooth, 2012).  Thesis submission ID 288, last updated
 

Paul Higgins, Text-Setting in Benjamin Britten's Art Song (PhD, NUI Maynooth, 2010).  Thesis submission ID 287, last updated
 

Colman Pearce, Portfolio of original composition with supporting research essay (PhD, St Patrick’s College, Dublin City University, 2009).  Thesis submission ID 247, last updated
 

Maria Westvall, Webs of musical significance: a study of student-teachers' musical socialisation in Ireland and Sweden (PhD, St Patrick’s College, Dublin City University, 2007).  Thesis submission ID 246, last updated
 

Roy Johnston, Concerts in the musical life of Belfast to 1874 (PhD, Queen’s University Belfast, 1996).  Thesis submission ID 243, last updated
 

Desi Wilkinson, The World of traditional dance music in Britanny (PhD, University of Limerick, 1999).  Thesis submission ID 241, last updated
 

Samuel Colin Hamilton, The role of commercial recordings in the development and survival of Irish traditional music 1899-1993 (PhD, University of Limerick, 1996).  Thesis submission ID 228, last updated
 

Hazel Farrell, Aspects of Pitch Structure and Pitch Selection in Post War Composition: An Analytical Study of Tonal and Post-tonal Referential Collections in selected works by Irish Composers (PhD, Mary Immaculate College, University of Limerick, 2002).  Thesis submission ID 214, last updated
 

Denzil Wraight, The stringing of Italian keyboard instruments c.1500 - c.1650 (PhD, Queen’s University Belfast, 1997).  Thesis submission ID 213, last updated
 

Paul Collins, The stylus phantasticus and its expression in free keyboard music of the north German baroque (PhD, NUI Maynooth, 2001).  Thesis submission ID 203, last updated
 

Aisling Kenny, Josephine Lang’s Goethe, Heine and Uhland Lieder: Contextualizing her Contribution to Nineteenth-Century German Song (PhD, NUI Maynooth, 2010).  Thesis submission ID 192, last updated
 

Emer Patricia Nestor, Reinterpreting Pyotr Il’yich Tchaikovsky’s Romeo and Juliet through Hermeneutic Windows (PhD, NUI Maynooth, 2013).  Thesis submission ID 191, last updated