Found: 188 thesis records, listed in most-recent order. Click on a thesis's title to display full details.

Jennifer Lee, The clock of life at The Stillest Hour: potentiality, retrospection and resolution in Gustav Mahler's third symphony (PhD, NUI Maynooth, in progress).  Thesis submission ID 190, last updated
 

Edward Holden, Charles V. Alkan and an analysis of the music for pedal-piano and organ (PhD, NUI Maynooth, in progress).  Thesis submission ID 189, last updated
 

Niall Keegan, The art of juncture: transformations of Irish traditional music (PhD, University of Limerick, 2012).  Thesis submission ID 818, last updated
 

Rebekka Fritz, "Worte klingen, Tone sprechen"? Text and music in German operas of the 1920s (PhD, Trinity College Dublin, 1996).  Thesis submission ID 165, last updated
 

Dermot R. Gault, Anton Bruckner's concept of the symphony as exemplified by his revisions of his Symphonies 3,4 and 8 (PhD, Queen’s University Belfast, 1994).  Thesis submission ID 163, last updated
 

W. Robert Gilmore, Harry Partch, the early vocal works, 1930-33 (PhD, Queen’s University Belfast, 1992).  Thesis submission ID 162, last updated
 

Joseph McKee, The organ in Ulster, a survey (PhD, Queen’s University Belfast, 1991).  Thesis submission ID 160, last updated
 

Adrian Scahill, The Knotted Chord: harmonic accompaniment in printed and recorded sources of Irish traditional music (PhD, University College Dublin, 2005).  Thesis submission ID 156, last updated
 

John O’Keeffe, Music and Text in the Mass Settings of Seán and Peadar Ó Riada: Models, Modes and Motifs (PhD, NUI Maynooth, in progress).  Thesis submission ID 154, last updated
 

Patrick O’Connell, The Influence of Irish Militia Bands on the wider Musical life of Ireland (1793-1816) (PhD, NUI Maynooth, in progress).  Thesis submission ID 153, last updated
 

Anne Murphy, The Requiem and contemporary Irish music : a study of the musical and religious significance of the Requiem in the repertoire of contemporary Irish composers (PhD, NUI Maynooth, 1993).  Thesis submission ID 140, last updated
 

David Larkin, Reshaping the Liszt-Wagner Legacy: Intertextual Dynamics in Strauss's Tone Poems (PhD, University of Cambridge, 2006).  Thesis submission ID 136, last updated
 

Tríona O’Hanlon, Music for Mercer’s: The Mercer’s Hospital Music Collection and Charity Music in Eighteenth-Century Dublin (PhD, Dublin Institute of Technology, 2012).  Thesis submission ID 135, last updated
 

María Escribano, Rhythms of Struggle. Recovery, Revival and Re-Creation of Txalaparta in the Basque Country (PhD, University of Limerick, 2012).  Thesis submission ID 134, last updated
 

Úna-Frances Clarke, The development of symphonic sonata form from Mahler to Shostakovich (PhD, University College Dublin, 2011).  Thesis submission ID 132, last updated
 

Philip Graydon, Richard Strauss's Die ägyptische Helena: Context and Contemporary Critical Reception. (PhD, Queen’s University Belfast, 2004).  Thesis submission ID 131, last updated
 

Jennifer O Connor, The Role of Women in Music in Nineteenth-Century Dublin (PhD, NUI Maynooth, 2010).  Thesis submission ID 129, last updated
 

Matteo Cullen, Vagabonds of the western world(s): continuities, tensions and the development of Irish rock music, 1968-78 (PhD, Mary Immaculate College, University of Limerick, 2012).  Thesis submission ID 128, last updated
 

Alison Margaret Hood, Chopin's Strategic Integration of Rhythm and Pitch: A Schenkerian Perspective (PhD, Trinity College Dublin, 2003).  Thesis submission ID 126, last updated
 

Colette Moloney, The Bunting Manuscripts (PhD, University of Limerick, 1995).  Thesis submission ID 125, last updated
 

Kevin O’Connell, Techniques of a Musical Language (PhD, St Patrick’s College, Dublin City University, 2007).  Thesis submission ID 124, last updated
 

Michael Murphy, An aesthetical and analytical evaluation of the music of Mieczyslaw Karlowicz (1876-1909) (PhD, University College Cork, 1994).  Thesis submission ID 123, last updated
 

Alison Dunlop, Gottlieb Muffat (1690-1770): A Companion to the Sources (PhD, Queen’s University Belfast, 2010).  Thesis submission ID 122, last updated
 

Helen Lyons, Contemporary Irish Harping (PhD, University College Dublin, 2010).  Thesis submission ID 808, last updated
 

Barra Boydell, Renaissance Windcap Instruments (PhD, Trinity College Dublin, 1981).  Thesis submission ID 120, last updated